By Esmé Holden
Esmé Holden offers a heartfelt reflection on the highs and lows of her first time attending the Locarno Film Festival.
By Esmé Holden
Spanish philosopher Paul B Preciado makes his feature documentary debut with an innovative homage to Virginia Woolf's seminal 1928 novel.
By Esmé Holden
The filmmaker reflects on her sophomore feature film, I Saw the TV Glow, in which two teenage outsiders find comfort in a mysterious television series.
By Esmé Holden
Alice Rohrwacher creates a magical fairytale about a group of tomb raiders, anchored by a soulful performance from Josh O'Connor.
By Esmé Holden
A decade on from its lucrative release, Lord and Miller's animated comedy reveals an enduring obsession with a narrow view of artistic and personal individuality and freedom.
By Esmé Holden
If sex scenes, or any other type of scene, don’t need to serve the plot, do they need to serve anything at all?
By Esmé Holden
What can a film festival dedicated to the screening of older cinema tell us about the present state of audience engagement with movie watching?
By Esmé Holden
A decade since Abdellatif Kechiche's film made history at the Cannes Film Festival, its legacy is a troubling one.
By Esmé Holden
Looney Tunes' iconic rabbit hero might not have been considered a queer icon during his hey day, but with hindsight he takes on a new meaning.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
