Thomas M Wright’s atmospheric but underwhelming thriller tells of an elaborate sting operation to catch a killer in Australia.
Paul Mescal doesn’t quite nail his role as a depressed young father in this emotionally furtive debut drama from Charlotte Wells.
Arnaud Desplechin’s scintillating family ensemble charts a toxic sibling rivalry, with Marion Cotillard and Melvil Poupard.
A power struggle begins after the death of the grand imam at a prestigious Cairo university in Tarik Saleh’s conventional drama.
By Mark Asch
A donkey in a travelling circus grapples with cruel fate in Jerzy Skolimowski’s strangely captivating drama.
Mark Jenkin’s follow-up to 2019’s beloved Bait is the haunting tale of lonely botanist that offers audiovisual thrills a-plenty.
Léa Seydoux plays a struggling single mother in a drama that’s not to Mia Hansen-Løve’s usual lofty standards.
Marie Kreutzer’s brilliant portrait of a woman on the brink is a refreshing take on the often tedious period drama concept.
A young boy navigates family and friendship during a time of social upheaval in James Gray’s tender semi-autobiographical latest.
Felix van Groeningen and Charlotte Vandermeersch's is a poignant study of the friendship between two young men across four decades.
By Mark Asch
Kirill Serebrennikov focuses on the relationship between one of Russia’s greatest composers and his adoring, but unloved, partner.
Michel Hazanavicius comes up short in his underpowered remake of Shinichirou Ueda’s zom-com, One Cut of the Dead
Pietro Marcello adapts Alexander Grin’s fairy tale about a poverty-stricken family with breathtaking results.
By Lucy Vipond
The Australian director appears to be courting younger viewers with his hotly-anticipated film about The King.
Some of the best nuggets of glitz and scandal throughout the history of the most famous international film festival.
Forty years on from Wim Wenders’ documentary Room 666, this age-old existential question is set to come back around.
They’ll be joined by fellow luminaries Alex Garland and Pietro Marcello when the Quinzaine returns to Cannes next month.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
