The late B-movie maestro reflects on his rich and storied career behind the camera.
The director of Under the Silver Lake talks LA history, ’80s RPGs and filming down toilet bowls.
By Paul Risker
The British photographer and filmmaker opens up about his kitchen sink drama Ray & Liz.
The star of The Kindergarten Teacher talks about living in the long shadow of dashed dreams.
By Nick Hasted
The Israeli writer/director of Lebanon discusses his absurdist, long-awaited follow-up, Foxtrot.
The legendary Hungarian auteur reflects on the making of his 1994 opus.
One of the most successful filmmakers of all time talks Alita: Battle Angel, Avatar and the future of cinema.
The Moonlight director sits down to pick apart his wonderful James Baldwin adaptation, If Beale Street Could Talk.
The Boy Erased director chats filmmaking, family and his upcoming role in David Michôd’s The King.
By Matt Thrift
The South Korean maestro talks literary inspiration and his mysterious new psychodrama, Burning.
By Rowan Woods
One half of the cross-country buddy comedy Green Book muses on changing political attitudes in Hollywood.
The loquacious actor (and latter-day perfumer) discusses his stellar turn as a silver-tongued grifter in Can You Ever Forgive Me?
From office buffoon to father of a teenage drug addict, the American actor is a veritable screen all-rounder.
The Danish devil talks about murder, movies and his sensational new film The House That Jack Built.
The British actor discusses her new film White Boy Rick and why she’s always looking to test herself.
They say you should never meet your heroes, but that’s just wrong. LWLies receives a valedictory audience with Hollywood royalty.
Human resources’ worst nightmare talks about his surreal ode to collectivised action, Sorry to Bother You.
The Chilean filmmaker discusses working with Rachel McAdams and Rachel Weisz on his English-language debut Disobedience.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
