By Rógan Graham
This bloated reboot of the hit ’90s cartoon crossover is little more than a cynical exercise in brand synergy.
Jean Dujardin becomes dangerously obsessed with a deerskin jacket in Quentin Dupieux’s slighter-than-slight comedy.
A teenage girl and a serial killer undergo an accidental body swap in Christopher Landon’s twist on a classic formula.
By Ella Kemp
Mads Mikkelsen and director Thomas Vinterberg continue their midlife crisis odyssey in rousing fashion.
This dour transatlantic farce about a widowed New York socialite who relocates to Paris is a lesser literary adaptation.
Robert Altman’s show-stopping musical mosaic returns to UK cinemas in a sparkling new 4K restoration.
This dire action-comedy feels like it was thrown together with a minimum of care and attention.
Pixar’s fish-out-of-water fable on the Italian Riviera takes its cues from vivid imagination of Studio Ghibli.
Rachel Sennott gives a standout performance in this anxiety-inducing comedy set at a Jewish wake.
Writer/director Ira Sachs misses a trick with this ambling family drama set in a picturesque Portuguese town.
By Lou Thomas
Punk provocateur Adam Rehmeier surveys America’s putrefying suburbs in this unconventional coming-of-ager.
This provocative, heart-on-sleeve romantic drama from Billie Piper marks the arrival of a serious filmmaking talent.
Aubrey Plaza plays an indie filmmaker who seeks inspiration at a lake house retreat in this ambiguous slow-burner.
A filmmaker turns serial killer in this lively meta mockumentary from writer/director Gillian Wallace Horvat.
Eric André spins his tried-and-trusted brand of hidden-camera humour into a feature-length buddy comedy.
By Anton Bitel
This blood-lashed black comedy takes aim at rightist trolls as it explores the limits of free speech.
By Silva Chege
The sequel that nobody wanted even fails to deliver the one thing that could have been asked of it: humour.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
