Our round-up of the year’s finest physical releases, some of which helped us through the dark times of lockdown.
The infamous Dane will shoot a third instalment of the his cult ’90s show set in a neurosurgery ward.
Stanley Kubrick’s final film contains a thinly-veiled critique of the vulgar excess and materialism of Christmas.
We set a bumper sticker design challenge inspired by the Breaking Bad spin-off movie.
By Anton Bitel
House of Bamboo, one of the first American features to be shot in Japan, is as hard-boiled as they come.
By Emma Fraser
From Schitt’s Creek to The Last Dance, here are our favourite small-screen offerings from the past year.
The HBO show will be loosely based on the French director’s 1996 film, with Vikander in the Maggie Cheung role.
Our resident cartoonist offers his take on the creation of one of most notorious screenplays ever written.
A staggering number of upcoming projects were revealed this week, set to be rolled out over the next decade.
Andie MacDowell and Laura San Giacomo would reprise their roles as neurotic sisters.
You may want to sharpen up that eggnog, it’s going to be a bumpy sleigh ride...
The director has apologised, but his film remains virtually banned in the country’s major market.
The production company say they were only given short notice of the distributor’s major announcement last week.
By Anton Bitel
Denis Villeneuve’s third feature, which respectfully dramatises a real-life school shooting, remains tragically relevant.
Ryûhei Kitamura’s frenetic, crazily-ambitious cult favourite is low-brow filmmaking at its mind-boggling best.
Robert Altman’s long-overlooked satire reflects the director’s frustrations with the Hollywood studio system.
Gerard Johnson’s genre-defying latest tosses class, sexuality and body image into a pungent stew.
With the studio announcing a landmark streaming deal for its 2021 slate, it once again falls to audiences to “save cinema”.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
