Opinion

How Obvious Child set a new standard for portraying abortion on screen

By Becca Rieckmann

Gillian Robespierre’s 2014 comedy-drama was refreshingly candid – as Roe vs Wade is repealed, it feels even more relevant.

Tom Cruise: Hollywood’s last leading man

By Susan Akyeampong

A certain image of masculinity perpetuated by Tom Cruise is on the decline in Hollywood – but that isn't necessarily a bad thing.

How Deep Throat and Pleasure ask questions about safety on porn sets

By Stefania Sarrubba

Ninja Thyberg’s drama brings up questions about adult film which have gone unaddressed since the days of Linda Lovelace.

How female sex workers are reclaiming their on-screen image

By Miriam Balanescu

From P-Valley to Pleasure, the industry is finally starting to be shown in an authentic light.

What’s gained and lost by the HBO Max-Warner Brothers deal?

By Hannah Strong

With the studio announcing a landmark streaming deal for its 2021 slate, it once again falls to audiences to “save cinema”.

Are superhero movies killing traditional screen acting?

By Manuela Lazic

As tentpole blockbusters expand and evolve, actors are having to flex their performance muscles in different ways.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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