Riley Stearns' latest boasts an intriguing premise and a solid central performance, but its vagueness is to is detriment.
Familiar thematic elements come together in Erin Vassilopoulos’ riff on the doppelgänger genre.
An apparent break-in sends a middle-class family into a spiral in Ronny Trocker’s exacting drama.
Stanley Kubrick’s final film contains a thinly-veiled critique of the vulgar excess and materialism of Christmas.
Filmmaker Kirsten Johnson repeatedly offs her father in this darkly funny and profound meditation on life and loss.
The world is stuck inside and looking to binge – look no further than the Victorville Film Archive.
Filmmaker Kirsten Johnson crafts a comedic elegy to her deteriorating but still very alive father.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
