By Thomas Hobbs
The box office success of this 1991 drama forced America to view the crack epidemic from a different perspective.
With her strong self-belief and striking dress sense, Mona Lisa Vito is a character we can all get behind.
By Lewis Gordon
Alex Garland’s chilling body horror speaks directly to our current age of ecological crisis.
By Dan Einav
Sergio Leone’s landmark western, which turns 50 this year, is a fascinating product of its time.
To celebrate the release of You Were Never Really Here, we’ve put together a handy primer of the director’s short and feature work.
To celebrate the release of Sweet Country, seek out these amazing works directed by and starring native Australians.
Our latest print edition offers an exciting look inside Wes Anderson’s stop-motion opus.
By Tom Williams
Lynne Ramsay’s masterful second feature from 2002 offers a visceral depiction of grief and longing.
By Sam May
This 1973 pulp classic sees Elliott Gould’s Philip Marlowe navigate LA’s seedy underbelly.
By Thomas Hobbs
How Abel Ferrara’s brutal 1990 gangster flick captured the imagination of the hip hop community.
By Luís Azevedo
To celebrate its 20th anniversary, we take a closer look at the Coen brothers’ cuss-filled classic.
Conductors and longtime friends Hugh Brunt and Robert Ames reveal how they helped bring Jonny Greenwood’s mesmerising score to life.
By Anton Bitel
The French director’s 1968 La Prisonnière aka Woman in Chains is both compelling and perverse.
The world was watching a little more closely last night as the first post-Weinstein Academy Awards took place.
By Brian Brems
What does it mean to be an American who loves Martin Scorsese’s Taxi Driver but hates gun violence?
By Emma Fraser
This breakfast staple features in five out of the nine Best Picture nominees at the 90th Academy Awards.
Donald Glover’s hit show returns with another steady mix of satire, dark comedy and cultural narratives.
The film’s glamorisation of vigilante justice resonated with an increasingly paranoid audience in 1974.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
