Not Movies

How Love evens the odds in the romantic comedy stakes

By Cameron Williams

Gillian Jacobs and Paul Rust’s characters are valued as individuals before they become a couple.

Would you want the power to decide how a TV series ends?

By Jack Godwin

Netflix is working on interactive shows with multiple endings.

The supehero genre is finally growing up, but not where you think

By Cameron Williams

Legion is the small-screen saviour of formulaic comic book adaptations.

Check out these first look images from Stranger Things 2

By Little White Lies

The second season of Netflix’s hit show returns this coming Halloween.

I am now a girl who watches Girls

By Manuela Lazic

A former skeptic reveals how her curiosity with Lena Dunham’s show grew into a personal obsession.

Remedial masterpieces for a grieving TV nation

By Roxanne Sancto

Television is now more direct, factual and unabashed than ever in its reflection of our toxic social climate.

The Mick and the art of the unlikable female character

By Roxanne Sancto

Kaitlin Olson’s walking catastrophe is a welcome shock to the sitcom system.

Sense8’s Christmas Special celebrates the power of human connection

By Roxanne Sancto

The episode brilliantly brings the true spirit of the holiday season to life.

Tom Hardy on playing the ultimate anti-hero in Taboo

By Adam Woodward

The actor reveals details of his upcoming BBC drama – your new TV obsession.

Inside No. 9 continues to delve into dark comedy with The Devil of Christmas

By Roxanne Sancto

This year’s holiday special provides the perfect blend of humour and horror.

30 TV shows you can’t afford to miss in 2017

By Little White Lies

Must-see series coming your way next year including Taboo, American Gods and Stranger Things.

Brit Marling on her convention-breaking new show The OA

By Adam Woodward

The actor and writer discusses ‘genre slipstreaming’ and her anxieties about our digital age.

Watch Justice’s infectiously sunny Thelma & Louise inspired video

By Little White Lies

Susan Sarandon gets her ’90s groove on in the band’s latest video.

2016 has been a stellar year for strong, complex female characters

By Roxanne Sancto

From Fleabag to Transparent, the year’s best television has been dominated by incredible women.

Why the return of Gilmore Girls is the perfect remedy for 2016

By Ella Donald

Netflix’s revival of the hit comfort food drama couldn’t have come at a better time.

Why is TV so reluctant to embrace body diversity?

By Roxanne Sancto

Orange is the New Black and Girls are rare examples of shows which seek to normalise diverse body types.

Paolo Sorrentino’s The Young Pope provides a test for millennial atheists

By Jamie Mackay

The director’s Jude Law-starring drama shows the seductive power of religion in uncertain times.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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