The French model-turned-actor on getting into character for her breakout role in Julia Ducournau’s Titane.
The in-demand Korean-American actor reflects on his role in Stephen Karam’s intimate ensemble drama The Humans.
The actor on stepping behind the camera for her powerful and enigmatic Elena Ferrante adaptation, The Lost Daughter.
The director explains how fatherhood shaped his latest film, and how creating space is integral to his creative vision.
How a love of cars, London and UK garage informed the writer/director’s madcap debut feature, Pirates.
The director discusses the complex ethics of his new documentary, Procession, which gives a voice to survivors of sexual abuse.
The French maestro on how she’s matured as a filmmaker, and the secrets hidden in her beguiling latest, Petite Maman.
The Japanese director explains how he transformed a Murakami short story into the intimate emotional epic, Drive My Car.
By Paul Weedon
Black Rebel Motorcycle Club’s co-founder reflects on going head-to-head with director Paul Schrader.
By Anton Bitel
Quebec’s modernist sci-fi maestro talks big screens and small gestures, and how he brought the arid world of Arrakis to life.
By Leila Latif
The British star of ear for eye on why the conversation around race needs to extend beyond the Black community.
By Rógan Graham
The singer-songwriter known as The Bullitts slinks into the role of filmmaker with his super fun revisionist western, The Harder They Fall.
With the release of Freakscene – The Story of Dinosaur Jr, the frontman reflects on the band’s rollercoaster journey.
By Al Horner
The pair’s new concept album ‘A Beginner’s Mind’ takes its cues from an eclectic list of films, from Mad Max to The Silence of the Lambs.
The British character actor talks toxic masculinity and filming in sub-zero temperatures for Andrew Haigh’s The North Water.
The star of the riotous Our Ladies talks classism, taking teens seriously and why Derry Girls comparisons are off base.
By Leila Latif
The industrious director reveals how she put a personal stamp on her Jordan Peele-produced refit of a horror classic.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
