By Adam Scovell
In the 1960s and ’70s, this British film studio produced grisly tales to rival Hammer Horror.
By Anton Bitel
The French auteur’s 1999 erotic drama challenges the viewer to separate sex from love.
By Anton Bitel
A man wrestles with his telepathic powers in Roger Christian’s disturbing directorial debut.
By Anton Bitel
Robert Wise’s 1971 sci-fi The Andromeda Strain tapped into space race and Cold War anxieties.
By Anton Bitel
The French filmmaker explores the dark side of the internet age in this erotic thriller from 2002.
By Anton Bitel
Toshiaki Toyoda’s Blue Spring perfectly captures the fleeting excitement of youth.
By Anton Bitel
A newlywed woman is transformed into a vampiric beast in Erik Blomberg’s supernatural tale.
By Anton Bitel
Tony Williams’ 1982 horror Next of Kin bears all the hallmarks of classic Victorian gothic.
By Anton Bitel
Daniel Liatowitsch and David Todd Ocvirk’s Kolobos preempted the rise of reality TV.
By Anton Bitel
Occult thrills abound in director Camilo Vila’s New Orleans-set exorcism fable The Unholy.
By Adam Scovell
The director’s final picture for RKO suffered from severe cuts, but still retains his golden touch.
By Anton Bitel
Eugenio Martín’s Horror Express is like a locomotive mash-up of The Thing and Murder on the Orient Express.
By Anton Bitel
The horror maestro’s 1987 giallo is released in a special new 2K restoration this month.
By Anton Bitel
A new restoration reveals the insane ambition of this bloated Kevin Costner vehicle.
By Anton Bitel
A babysitter is terrorised by an anonymous called in Fred Walton’s proto-slasher When a Stranger Calls.
By Anton Bitel
In 1988’s Elvira: Mistress of the Dark, Cassandra Peterson’s heroine proudly display her two best assets.
By Anton Bitel
The prolific filmmaker Teruo Ishii invented a whole new subgenrre with 1969’s bizarre Orgies of Edo.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
