Olivia Wilde's sophomore feature sees Florence Pugh and Harry Styles in a 1950s daydream where everything isn't quite what it seems.
By Jamison Kent
Antonia Campbell-Hughes’ compelling feature debut offers a moody account of hometown Stockholm syndrome and repressed emotion.
A dream auditor becomes caught up with an ageing eccentric in Kentucker Audley and Albert Birney's highly imaginative feature.
A teenage cartoonist searches for authenticity in writer/director Owen Kline’s pleasingly grubby debut feature.
Hanna Bergholm's directorial debut is a cracking, artfully-crafted creature feature set in a gaudy suburban dollhouse.
Writer/director Malachi Smyth's feature debut is a musical heist film that struggles to strike the right chord.
Juliette Binoche and Vincent Lindon deliver the dramatic goods in French master Claire Denis' nuanced exploration of married life.
Halina Reijn's amusing second feature satirises Gen Z nihilism but doesn't have much to say about the pop culture stereotypes it depicts.
An all-star cast can't save this predictable, often irritating attempt at putting a twist on Agatha Christie's The Mousetrap.
By Sarah Cleary
Extreme surgery replaces sex in body horror maestro David Cronenberg’s ambitious blends of science fiction and film noir.
Joana Pimenta and Adirley Queirós blur fiction and documentary in their hybrid tale of Brazilian resistance, independence and survival.
Mad Max director George Miller returns to the big screen with an adaptation of modern-day fable The Djinn in the Nightingale's Eye.
Jessica Chastain and Ralph Fiennes are unhappily married in John Michael McDonagh's uninspired culture clash drama.
An online porn addict becomes the target for pantomime Russian cyber crims in this twisty, London-set thriller.
Penélope Cruz excels as a preening arthouse filmmaker in this delicious satire of making art without compromise.
By Emma Fraser
A charming cast bring out the best in this frothy Austenesque period romance.
A cautionary tale about environmental exploitation veers into predictability in Lee Haven Jones' slow-burn directorial debut.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
