By Clemmy Manzo
Hardboiled thrills abound in this classy period noir from Argentine director Juan José Campanella.
While you hardly expect a summer blockbuster to be massively original this film is so derivative it’s almost ridiculous.
By Anton Bitel
In his low-budget feature debut, Ben Wheatley brings a very English working-class brand of domestic banality to his evil.
It may not be art and it certainly isn’t truth. But Inception fulfils one of the basic tenets of cinema: it takes the breath away.
Larry David might be plugging a gap between Curb series, but Woody Allen can do much better.
Tetro may echo the themes of Francis Ford Coppola’s past masterpieces, but this is the return of an artist, not a legend.
Jean-Luc Godard’s masterpiece stands the test of time, still managing to feel incredibly fresh and exciting.
By Ailsa Caine
The third film in Pixar’s flagship franchise is a satisfying if familiar farewell to old friends.
With its wispy idiosyncrasy and sharp, biting humour, Greenberg may well win over the Baumbach cynics.
As Rian Johnson’s difficult second album, The Brothers Bloom is more an anti-climax than a letdown.
A scene of almost unwatchable violence will colour your opinion on Michael Winterbottom’s dark thriller.
The problem in this empty cinema of spectacle is that there are hardly any arresting images or memorable moments.
By Josh Winning
A wildly entertaining off-kilter crime thriller from the dream team pairing of Werner Herzog and Nic Cage.
You can’t help feeling that Four Lions is an intellectual exercise in challenging political correctness.
Dogtooth is a film that delights in disconcerting the viewer and refuses to supply any easy answers.
Todd Solondz family reunion is just like any other: forced, painful and underwhelming.
By Josh Winning
There’s girl power and attitude galore in Drew Barrymore’s roller derby-based directorial debut.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
