Director Sam Raimi injects some much needed personality into Marvel’s latest brand-building exercise.
Our noughties ranking reaches the midway point, as Amélie, Oldboy and Spider-Man 2 all make the cut.
By Al Horner
The conclusion to the MCU’s Infinity Saga brings a sense of closure two decades in the making.
By Anton Bitel
On the envelope-pushing effects work of Sam Raimi’s hand-tooled gorefest, set for re-release this Halloween.
By Henry Bevan
The director’s 2002 franchise opener is a tribute to this iconic city and the people who live in it.
By Anton Bitel
Shinichi Fukazawa’s Super-8 gem Bloody Muscle Body Builder in Hell is a throwback to ’80s horror.
Released 30 years ago, Sam Raimi’s blood-drenched horror-comedy is as grotesque and hilarious as ever.
By Anton Bitel
JR Bookwalter’s Evil Dead-inspired feature debut The Dead Next Door is now available on DVD.
By Elena Lazic
Sam Raimi’s franchise midpoint is a perfect superhero sequel – a film with a sincere belief in humanity.
Twelve writers pin their colours to the tentpole in our survey of the best summer movies of the modern era.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
