By Henry Bevan
From Lois Lane to Eddie Brock, the role of the intrepid reporter is often reduced to a cheap plot device.
By Henry Bevan
Superheroes don’t just exist to save the day, as Brad Bird’s animation sequel proves.
By Henry Bevan
The director’s 2002 franchise opener is a tribute to this iconic city and the people who live in it.
By Henry Bevan
Mike Nichols’ 1967 film is a great tonic for anyone suffering from post-university blues.
By Henry Bevan
The Beauty and the Beast remake is being hailed as progressive, but the studio’s animation vault is filled with queer subtext.
By Henry Bevan
What function does Luca Mosca’s minimalist costume design serve in this superlative action franchise?
By Henry Bevan
Christopher Nolan’s film tells of a unqualified maniac who ruthlessly exploits a crumbling establishment.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
