One of the most successful filmmakers of all time talks Alita: Battle Angel, Avatar and the future of cinema.
Robert Rodriguez’s latest is that rare beast: a throwback, effects-driven science fiction epic that runs on an infectious sense of fun.
Why pretending the past never happened can be the best thing for a film series and its fans.
From Commando to Conan, Terminator to Twins, we size up the cultural icon’s ample body of work.
By Ethan Vestby
Ever since its unlikely resurrection in the late ’90s, the sci-fi horror series has continued to evolve.
By Eve Watling
Sigourney Weaver’s return plus other early details about James Cameron’s upcoming sci-fi sequel.
With yet another reboot in the works, we consider how its original creator can fix this malfunctioning series.
By Dan Einav
The made-for-TV project will see the director explore his love of the genre.
By Lara C Cory
Thirty years on, Sigourney Weaver’s iconic hero stands as a defiant symbol of gender equality.
By Matt Thrift
The true greatness of James Cameron’s record-breaking space opera is not in its conception but its execution.
Twelve writers pin their colours to the tentpole in our survey of the best summer movies of the modern era.
By Taylor Burns
James Cameron’s original and best Terminator sequel has always existed on its own spectacular terms.
Audiences have started losing interest, but the technology still has the potential to reshape the artform as we know it.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
