Alejandro G Iñárritu grapples with creative fulfilment and the Mexican diaspora in his sprawling, semi-autobiographical surrealist drama.
Nathalie Álvarez Mesén's debut feature explores religious oppression and sexual desire through a Costa Rican woman's mystical awakening.
James Gray interrogates his fraught childhood in Regan-era New York City in this masterful, unflinching drama.
A young father and his 11-year-old daughter take a holiday to Turkey in Charlotte Wells' touching debut.
The Iranian master returns with a set of parallel love stories reflecting on superstition and the mechanics of power.
Li Ruijun's tender, thought-provoking drama is a story about love expressed through action rather than reaction.
Sebastián Lelio’s 19th-century drama dwells in the gothic-bucolic as a nurse watches over a girl who has survived months without food.
Squid Game star Lee Jung-jae stars in his directorial debut, a high-voltage espionage thriller set in 1980s South Korea.
By Leila Latif
Chicago's Underground Abortion Network and a housewife's unwanted pregnancy lie at the centre of Phyllis Nagy's directorial debut.
By Ella Kemp
Oliver Hermanus teams up with Kazuo Ishiguro and Bill Nighy for a British reimagining of Akira Kurosawa’s 1952 masterpiece, Ikiru.
Swedish provocateur Ruben Östlund takes us aboard the luxury cruise from hell in his latest over-the-top satire.
Emma Corrin and Harry Styles star in this period romance about a love triangle, set against the backdrop of 1950s Britain.
Martin McDonagh deploys his signature acerbic wit to an affectionate folktale as he reunites with Brendan Gleeson and Colin Farrell.
The South Korean auteur known for squid-chomping, luxe erotica and graphic torture is back with a seductive mystery thriller.
Edward Berger’s trench-foot-and-all retelling of this classic war story lacks originality in its brutality.
By Rógan Graham
Gina Prince-Bythewood delivers her masterpiece in this quietly radical action epic with a stunning lead turn from Viola Davis.
By Mark Asch
Peter Farrelly’s follow-up to his Best Picture winner Green Book is a hokey Vietnam tall tale.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
