I’m Thinking of Ending Things is another sly critique of capitalism and the commodification of cinema.
Coda: The Death of Michael Corleone will restore the director and Mario Puzo’s original vision.
Daniel Craig’s 007 will return to brick-and-mortar cinemas in November, by gum.
Mark Rylance, Vanessa Kirby and Marion Cotillard have joined the actor-director’s postwar epic.
His role as taciturn surveillance expert Harry Caul is a masterful portrayal of alienation and loneliness.
The Normal People actor has been cast in the upcoming psychological thriller, Gyllenhaal’s directorial debut.
The drama will cover its subject’s 1955 lynching and his mother’s historic campaign for justice.
Amy Seimetz’s apocalyptic horror speaks to the growing pessimism about the future among young people.
The ’90s straight-to-video boom reinvigorated the industry and made stars of directors like Takashi Miike.
By Ryan Coleman
Isabel Sandoval’s third feature, Lingua Franca, gives a voice to some of the world’s most vilified and vulnerable people.
19th-century Saoirse Ronan and Kate Winslet fall in love in Francis Lee’s latest.
By Malcolm Ring
Christopher Nolan’s mind-altering sci-fi seeks to redeem Cobb for his actions, but is he worthy of our sympathy?
The Berlinale will stick to Leading Performance and Supporting Performance categories in future.
The Chinese artist-filmmaker’s gorgeous, shattering CoroNation quietly arrived online over the weekend.
By Leigh Singer
Our latest Remake/Remodel video essay analyses the impact of Akira Kurosawa’s samurai epic on Sergio Leone’s Spaghetti western.
The anime master behind Paprika and Perfect Blue left behind several incomplete projects which could still be realised.
The cheerleading comedy has aged better than most early-2000s teen movies, especially in how it tackles systematic inequality and cultural appropriation.
Surviving the perils of solo creativity is tough. In the latest instalment of our series supporting artists through lockdown, Malin Lindholm reveals how she’s continued to feed her wanderlust and her reactive process during the pandemic.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
