By Leila Latif
There should be a warrant out for someone's arrest after this dire western from Walter Hill.
Tilda Swinton plays both mother and daughter in Joanna Hogg's eerie and effective exploration of parent-child relationships.
By Xuanlin Tham
Koji Fukuda's ninth feature fails to meet the mark when it comes to exploring the knotty topic of familial grief.
Florence Pugh can't save this underwhelming retro sci-fi from its overreliance on genre cliches.
Martin McDonagh reunites with Colin Farrell and Brendan Gleeson for a biting but charming examination of a disintegrating friendship against the backdrop of the Irish Civil War.
Brendan Fraser gives his all as a morbidly obese man trying to reconnect with his estranged daughter before his death.
Rebecca Zlotowski’s wistful character study of a woman navigating the highs and lows of middle age bursts with passion and insight.
Mia Goth reprises her role as a homicidal farm girl in Ti West's aesthetically pleasing but otherwise empty horror prequel.
Joel Edgerton plays a horticulturist with a troubled past in Paul Schrader's beautiful but underwhelming drama.
By Leila Latif
Laura Poitras documents US artist Nan Goldin's attempts to expose the Sackler family for their role in the US opioid crisis, but with mixed results.
Tensions flair between a group of angry protesters and the police in Romain Gavras' stylish but frustrating action-drama.
Taylor Russell and Timothée Chalamet play a pair of young cannibals on a trans-America road trip in Luca Guadagnino's sweet, squelchy horror romance.
Frederick Wiseman reflects on the relationship between Leo Tolstoy and his wife Sophia Tolstaya in his first foray into fiction filmmaking.
Georgia Oakley delivers an assured debut with her poignant portrait of a lesbian teacher living in Thatcher's Britain.
Alejandro G Iñárritu grapples with creative fulfilment and the Mexican diaspora in his sprawling, semi-autobiographical surrealist drama.
Cate Blanchett is captivating as formidable, world famous classical composer in Todd Fields’ frustrating study of the cult of genius.
Adam Driver and Greta Gerwig reunite as a couple grappling with their fear of death in Noah Baumbach’s adaptation of Don DeLillo’s novel.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
