By S.L. Page
Steven Soderbergh's psychological thriller illustrates how vulnerable women are routinely treated by healthcare systems.
In our series examining the Best Picture contenders of 2022, a salute to the easy lyricism of Spielberg’s musical remake.
Our series on the most spell-binding moments from 2022’s Best Picture Nominees continues with Jane Campion’s tense take on the Old West.
Members of the LWLies team write on their favourite moments from the 2022 Best Picture contenders.
Long out of print, Richard Brooks' 1977 crime drama features a soundtrack comprising some iconic artists of the era.
Blake Edwards’ gender-bending comedy from 1982 shows another side to the beloved actor’s range.
Featuring deep cuts from The Moldy Peaches and The Kinks, the soundtrack to Jason Reitman’s teen pregnancy comedy still holds up.
By Sam Moore
Thirty years after it was released, the British director’s take on Virginia Woolf’s novel is a powerful study of self-identity.
By Oliver Webb
This International Women’s Day, we remember the screenwriter who gave Hollywood its voice during the silent era.
Jonathan Demme’s 1993 drama played an important role in bringing straight audiences up to speed with the epidemic.
By Chloe Walker
Celebrating its 30th anniversary this year, Ephron’s underseen first feature proves her strength as a writer and filmmaker.
Four intimate epics by this acclaimed maker of experimental melodramas have finally been released in the UK.
By Callie Petch
Michael Winterbottom’s portrait of the Madchester scene is enduring proof that films about musicians don’t have to beatify their subjects.
As it turns 20, we revisit the maligned star vehicle written especially for America’s pop princess.
The Wachowskis’ 1996 neo-noir starring Gina Gershon and Jennifer Tilly is an enduring, subversive romance.
By Jarek Kupść
Bob Fosse’s 1972 film breaks with the lustrous Hollywood musical tradition to take on a society in decay.
The Thai master creates transportive cinema, fully utilising the auditory experience that natural spaces provide.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
