By Sam Moore
Billy Wilder’s classic Hollywood satire from 1950 is also a great post-modern ghost story.
By Sam Moore
Gregg Araki’s mid-’90s triptych explores the hope and hopelessness of being young and openly gay.
By Sam Moore
Alan Rickman’s iconic Die Hard baddie is a faux-revolutionary motivated purely by financial gain.
By Sam Moore
Shin’ya Tsukamoto’s nightmarish 1989 body horror explores the morbid fusion of biology and technology.
By Sam Moore
In a time of political uncertainty, his bold representations of queerness remain as vital and relevant as ever.