Corruption and vice reign supreme in Sergei Loznitsa’s punishingly bleak descent into the bowels of Russia.
By Matt Hoffman
Jane Campion and Elisabeth Moss return for a brilliant second season of this atmospheric crime saga.
Robert Pattinson slays it as a petty hood on a downward spiral in the Safdie brothers’ ace crime thriller.
This delectable French coming-of-age farce is powered by a stunning central performance from actor Laetitia Dosch.
Sofia Coppola stuns the Cannes crowd with an intoxicating film about repressed female sexuality.
Another day, another delicate, insightful gem from Korean director Hong Sang-soo.
A nasty case of dramatic inertia blights Yorgos Lanthimos’ latest black comedy.
This delicate parting shot from the great Abbas Kiarostami is a wistful contemplation on the nature of the moving image.
A shot of pure cinematic joy from Tangerine director Sean Baker – and a big highlight of the 2017 Cannes Film Festival.
By Matt Hoffman
Kristen Stewart presents her visually arresting directorial debut at the 2017 Cannes Film Festival.
Adam Sandler delivers one of his rare affecting turns as one of the co-leads in Noah Baumbach’s family comedy.
The new film by Michael Haneke is not happy and doesn’t have an ending. Other than that, it’s harrowing business as usual.
A light but ultimately unnecessary recreation of Jean-Luc Godard’s late ’60s from director Michel Hazanavicius.
Robin Campillo’s rousing dramatisation of ’90s AIDS activism in France is a sure-fire Palme d’Or contender.
This barbed satire of art world pomposity questions the core beliefs of civilised society.
Another quietly astounding monochrome miniature on love and other demons from the great French director Philippe Garrel.
Agnès Varda douses the French landscape with art with the help of her new friend JR in this wonderfully eccentric road movie.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
