Paul Greengrass shows the action and aftermath of the 2011 Norway attacks in his latest terrorism-driven drama.
Panos Cosmatos unleashes hell on Nicolas Cage and Andrea Riseborough in this bloody, psychedelic headtrip.
This French-Japanese anime from directors Guillaume Renard and Shoujirou Nishimi is a twisted joyride.
Damien Chazelle’s dramatisation of the Apollo 11 mission only scratches the surface of its human subject.
This absorbing debut feature from video essayist Kogonada explores the relationship between people and spaces.
Director Ali Soozandeh surveys a range of contemporary Iranian issues in this impressive rotoscoped animation.
A short, sharp portrait of the trailblazing Japanese pop artist Yayoi Kusama, from director Heather Lenz.
Joe Martin’s over-directed post-Brexit fable feels like a collection of different auteurs vying for attention.
Tom Hardy sneers and sweats his way through this sanitised origin story of Marvel’s Spidey-bothering baddie.
Rowan Atkinson returns to make a mockery of British Intelligence in this tediously unfunny spy spoof sequel.
By Andy Crump
Dan Stevens has a run in with a religious cult in this dread-filled folk horror from The Raid director Gareth Evans.
Bradley Cooper scores his first major hit as a director with this tender romance about the price of fame and addiction.
Set in the contemporary art-world, Josh Appignanesi’s hybrid documentary offers a mesmerising blend of fact and fiction.
Another deep dive into the modern fashion industry, this time on the fur coat-tails of couture expert, André Leon Talley.
Kevin Hart’s natural charisma brings some feel-good laughs to this uneven but politically aware comedy.
Glenn Close gives a wonderfully enigmatic performance in Björn Runge’s adaptation of Meg Wolitzer’s novel.
Samantha Morton plays a mother struggling with depression after the death of her husband in Tom Beard’s sensitive familial drama.
Hugo Weaving and James Frecheville star in this grim period western set in 19th century Ireland.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
