Sacha Baron Cohen’s calamity-prone Kazakh reporter takes dead-aim at US conservatism in this rip-snorting sequel.
By Elena Lazic
François Ozon turns back the clock for a sun-kissed gay love story that’s shot through with tragedy.
Armie Hammer and Lily James are woefully miscast in this limp adaptation of Daphne du Maurier’s classic novel.
Dixie Egerickx outshines her adult co-stars in this pleasant adaptation of Frances Hodgson Burnett’s novel.
Riz Ahmed shines as a rapper who reconnects with his spiritual roots after suffering a chronic illness.
By Anton Bitel
Generational trauma and a fear of the unknown power Remi Weekes’ bone-chilling haunted house horror.
By Leila Latif
Lucy Brydon’s bold debut charts a woman’s struggle to rebuild her life while in recovery from an eating disorder.
The fragile genius of Swedish director Roy Andersson is laid bare in this intriguing documentary profile.
By Erik Nielsen
The Trump administration’s catastrophic response to COVID-19 is laid bare in Alex Gibney’s timely exposé.
Excessive violence against women and animals sours Małgorzata Szumowska’s faux-feminist horror fable.
Long-serving Disney animator Glen Keane directs this visually inventive musical adventure.
Emily Harris’ visually striking take on the classic Gothic novel fails to live up to its initial promise.
Garrett Bradley surveys America’s prison industrial complex through the lens of one couple’s personal struggle.
By Leila Latif
Pop music and women’s liberation come to the fore in director Unjoo Moon’s slight biopic of Helen Reddy.
Adam Sandler treats – or tricks – us with a festive family comedy about kindness and the importance of a good flask.
By Anton Bitel
A pious young nurse experiences an extreme crisis of faith in writer/director Rose Glass’ arresting psychodrama.
Miranda July channels her offbeat brand of humour into a heist movie, with predictably charming results.
This insightful documentary reclaims the legacy of one of the most important abstract artists of the 20th century.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
