Reviews

Cowboys & Aliens

By Adam Woodward

Jon Favreau’s genre mash-up is yet another underwhelming summer brouhaha that fails to up the ante.

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Rise of the Planet of the Apes

By Paul O’Callaghan

This unlikely reboot is a relatively modest B-movie bolstered by A-grade technical wizardry.

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Project Nim

By Martyn Conterio

The life and times of Nim Chimpsky make for an extraordinary and tragic tale from director James Marsh.

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Super 8

By Matt Glasby

JJ Abrams delivers big in this enthralling nostalgia trip to small-town USA circa the 1970s.

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Arrietty

By Adam Woodward

A pure, wonderfully animated story of friendship against the odds from an emerging anime voice.

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Cars 2

By Nell Frizzell

A long, meandering sub-James Bond pastiche set in the confounding world of talking cars.

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Beginners

By Michael Leader

Despite a stand-out performance from an old pro, Beginners keeps the audience at a distance.

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Treacle Jr

By Emma Simmonds

In an already strong year for British film this isn’t quite ambitious enough to stand out.

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The Tree of Life

By David Jenkins

A glorious ode to the improbability of existence which asks us to cherish the simple processes of living and loving.

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Super

By Anton Bitel

You won’t see a masked vigilante movie more morally responsible or edgy this side of The Dark Knight.

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A Separation

By Julian White

This is a deceptively powerful movie by one of Iran’s finest directors.

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Transformers: Dark of the Moon

By Adam Woodward

An ejaculatory mess that seeks to medicate its audience with a glut of whizz-bang spills and vein-bulging fist pumps.

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Captain America: The First Avenger

By Lewis Bazley

A fast, thrilling and unashamedly old-fashioned adventure that falls in with Marvel’s best.

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Bridesmaids

By Kevin Maher

The real shock is that this story of pre-wedding tensions amongst six mismatched bridesmaids is not Apatow-by-numbers.

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Potiche

By Martyn Conterio

A warm-hearted story of a woman’s rise in a man’s world belies a biting satire.

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The Messenger

By Josh Winning

The Messenger is a movie that delivers its own moral tale – one many are probably not going to like.

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The Beaver

By Lewis Bazley

At its best The Beaver is deftly handed and genuinely moving but too often it’s jarring and disjointed.

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Kaboom

By Adam Woodward

A highly-fetishised, hyper-surreal teenage Twin Peaks that’s undone by its own excesses and a lack of narrative clarity.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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