Toronto Film Festival

Greta – first look review

By Caitlin Quinlan

Chloë Grace Moretz and Isabelle Huppert star in this darkly comic thriller from director Neil Jordan.

Mid90s – first look review

By Hannah Strong

Jonah Hill’s directorial debut is a moving portrayal of adolescent isolation set within Los Angeles’ ’90s skating scene.

Can You Ever Forgive Me? – first look review

By Hannah Strong

Melissa McCarthy proves her dramatic chops as a literary forger in Marielle Heller’s follow-up to The Diary of a Teenage Girl.

Widows – first look review

By Hannah Strong

Steve McQueen turns his formidable filmmaking talent to the heist genre with impressive and passionate results.

Halloween – first look review

By Hannah Strong

Jamie Lee Curtis faces her old adversary once again in David Gordon Green’s thrilling John Carpenter-approved sequel.

The Front Runner – first look review

By Hannah Strong

Hugh Jackman makes headlines for all the wrong reasons in Jason Reitman’s biopic of would-be president Gary Hart.

In Fabric – first look review

By Hannah Strong

Peter Strickland spins a yarn about a very literal phantom thread in his most audacious and bizarre film to date.

Beautiful Boy – first look review

By Hannah Strong

Timothée Chalamet delivers a heartbreaking turn as a meth addict struggling with relapse and rehabilitation.

White Boy Rick – first look review

By Caitlin Quinlan

Newcomer Richie Merritt outshines co-star Matthew McConaughey in this gritty crime drama about a real-life teenage FBI informant.

Boy Erased – first look review

By Ella Kemp

A mature central performance from Lucas Hedges anchors Joel Edgerton’s gay conversion therapy drama.

The Sisters Brothers – first look review

By Hannah Strong

Joaquin Phoenix and John C Reilly play gunslinging siblings in Jacques Audiard’s warm-hearted western adventure.

High Life, If Beale Street Could Talk confirmed for 2018 Toronto Film Festival

By Hannah Strong

Claire Denis and Barry Jenkins will present their latest work when the festival kicks off on 6 September.

First Reformed – first look review

By Elena Lazic

Paul Schrader returns to the fray with a mediative masterwork powered by a stunning central turn from Ethan Hawke.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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