Marlon Brando

Paul Mescal is animated by hatred in A Streetcar Named Desire

By Sophie Monks Kaufman

A new production at the Almeida Theatre looks to complement – rather that compete with – Marlon Brando's iconic performance in Elia Kazan's film.

How The Chase set the topical, visceral tone for New Hollywood

By Chloe Walker

Though largely forgotten today, Arthur Penn’s 1966 crime thriller remains a fascinating precursor to a filmmaking revolution.

Why I love Eva Marie Saint’s performance in On the Waterfront

By Adam Scovell

For all of its seething male energy, it’s the film’s young female lead who emerges as its star performer.

The story of Apocalypse Now’s controversial Cannes premiere

By Katherine Jane Alexander

Francis Ford Coppola caused an unprecedented stir when he unveiled his unfinished Vietnam opus in 1979.

The new Final Cut promises a definitive Apocalypse Now

By Charles Bramesco

At the third time of asking, Francis Ford Coppola has finally cracked it.

Billy Zane is playing Marlon Brando in a new biopic

By Charles Bramesco

Waltzing with Brando tracks the late Hollywood icon’s strange partnership with an architect.

Guys and Dolls (1955)

By Adam Woodward

Jean Simmons outshines Frank Sinatra and Marlon Brando in this witty, all-singing all-dancing MGM classic.

review LWLies Recommends

Apocalypse Now (1979)

By Matt Bochenski

A jaw-dropping spectacle and brain-melting existential nightmare, Francis Ford Coppola’s Vietnam opus is touched by genius.

review LWLies Recommends

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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