By Juan Barquin
François Ozon fanboys over Fassbinder (again!) with this reimagining of 1972’s The Bitter Tears of Petra Von Kant.
François Ozon’s adaptation of Emmanuèle Bernheim’s novel focuses on the relationship between a father and daughter.
François Ozon takes a light-hearted look at the banality and bureaucracy of assisted suicide in his misfiring latest.
By Juan Barquin
In Summer of 85, the French director builds on a career-long interest in how we deal with love and loss.
By Elena Lazic
François Ozon turns back the clock for a sun-kissed gay love story that’s shot through with tragedy.
By Elena Lazic
To celebrate the release of Summer of 85, we explore Ozon’s various heightened depictions of days gone by.
Steve McQueen, Wes Anderson and Im Sang-soo were all set to compete at this year’s festival.
François Ozon serves up his answer to Spotlight in this sobering study of sexual abuse in the Catholic church.
This twisty psycho-thriller from François Ozon sees a perplexed young woman dating identical shrinks.
Three scenarios for who might win big at this year’s prize giving.
François Ozon returns with a full-bodied tale of stunted romance and the pained legacy of warfare.
François Ozon does it again with this puckish and erotic satire on sexuality and family gender roles.
A glassy-eyed and ambiguous portrait of a teenage call-girl from director François Ozon.
Literary prodigy writes rings around his prof in the spry latest from arty teaser François Ozon.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
