Opposites attract in Pixar's take on the rom-com, but a tendency to play it safe means that Peter Sohn's sparky sophomore feature never quite ignites.
By Leila Latif
Halle Bailey’s charms can’t distract from all the bizarre choices at the heart of this underwhelming live-action remake.
A gaudy blue folly which encapsulates James Cameron’s strength as an image-maker, but weakness as a storyteller.
This retro-inspired Disney adventure yarn boasts lots of great, progressive ideas, but lacks in the imagination department.
By Ella Kemp
Anyone with fond memories of the 2007 meta-fairytale banger, Enchanted, starring Amy Adams, is in for a surprise and a treat.
How this talented Australian indie director ended up helming one of the year’s biggest blockbusters.
Emma Stone plays the fur-loving fashionista in this overlong and largely uninspired origin story.
A pair of friends must keep their amphibian secret from their harpoon-happy community.
She leads the cast of I, Tonya director Craig Gillespie’s live-action 101 Dalmatians prequel.
By Aimee Knight
Animatronic puppets, searing social commentary, this short-lived early ’90s sitcom had it all.
A staggering number of upcoming projects were revealed this week, set to be rolled out over the next decade.
Jamie Foxx is a jazz musician reckoning with the afterlife in Pixar’s best film in quite some time.
The Oscar-winning filmmaker will go from Harlem to Pride Rock.
By Leigh Singer
Our Remake/Remodel series continues with a breakdown of Disney’s most successful “live-action” update yet.
By James Clarke
On the 80th anniversary of Disney’s animation, we look at the different ways this magical fable has been interpreted.
He’s set to star alongside Josh Gad in a belated follow-up to the beloved ’80s sci-fi comedy.
Once they’ve run out of animated classics to revive, where will the Mouse House turn?
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
