A humble daughter, played by Liu Yifei, will save all of China in the upcoming remake.
Deregulating the major studios could spell bad news down the line.
The siren call of two beloved, showtune-singing Disney princesses leads to a sequel lacking in ideas, emotion and drama.
The House of Mouse has flagged “outdated” stereotypes on its new streaming platform – but is it enough?
Jon Favreau’s The Mandalorian could hold the key to the longevity of Disney’s most lucrative franchise.
By Elena Lazic
Angelina Jolie and co are back is this muddled and misguided sequel to Disney’s inverted fairy tale.
Disney+ will soon be a repository for kiddie films forgotten by time.
And that’s just the setup for the animation studio latest...
By Matt Thrift
The Ad Astra director on how Brad Pitt helped him to make the sprawling sci-fi opus he had inside his head.
Our freeloading days may soon be coming to an end.
The Mouse House has 7.67 billion reasons to celebrate – but should the rest of the film world be concerned?
Jon Favreau’s update of Disney’s animated epic shows the studio’s remake philosophy is not so problem free.
Woody, Buzz and co team up for one last time (probably) in a largely enjoyable sequel that sees Pixar retread old ground.
This ultra-glossy ‘live action’ remake of Disney’s 1992 mega hit cleaves too closely to the original to justify its existence.
There’s charm to spare in Disney’s follow-up to Wreck-It Ralph, but it still feels like a cynical cash-grab.
Why pretending the past never happened can be the best thing for a film series and its fans.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
