By Matt Thrift
The Ad Astra director on how Brad Pitt helped him to make the sprawling sci-fi opus he had inside his head.
Our freeloading days may soon be coming to an end.
The Mouse House has 7.67 billion reasons to celebrate – but should the rest of the film world be concerned?
Jon Favreau’s update of Disney’s animated epic shows the studio’s remake philosophy is not so problem free.
Woody, Buzz and co team up for one last time (probably) in a largely enjoyable sequel that sees Pixar retread old ground.
This ultra-glossy ‘live action’ remake of Disney’s 1992 mega hit cleaves too closely to the original to justify its existence.
Tim Burton’s overstuffed and underwhelming sideshow act lacks a sense of wonder.
There’s charm to spare in Disney’s follow-up to Wreck-It Ralph, but it still feels like a cynical cash-grab.
Why pretending the past never happened can be the best thing for a film series and its fans.
By Henry Bevan
Superheroes don’t just exist to save the day, as Brad Bird’s animation sequel proves.
Family remains very much at the heart of Brad Bird and Pixar’s animated superhero sequel.
There’s thrills, spills and pink pachyderms in this early look at Disney’s latest live-action adventure.
Disney’s plans for a Star Wars TV series could prove the Death Star to Netflix’s Alderaan.
From his studio in Dublin, the American animator rivalled Disney during the 1980s and early ’90s.
Walt Disney’s first feature-length animation has lost none of its romance and magic.
By Elena Lazic
This latest Pixar sequel is a digitally-rendered blockbuster which celebrates the joys of the analogue world.
The fifth instalment in Disney’s swashbuckling franchise is scuppered by a certain Mr Depp.