By Leila Latif
Nia DaCosta re-examines the white saviour and Black boogeyman tropes in her bold horror reimagining.
Nicolas Cage reveals his sensitive side in Michael Sarnoski’s warm-hearted porcine revenge western.
David Bruckner’s architectural horror stands up to the contemporary challenges of dabbling with ghosts and jump scares.
Sidse Babett Knudsen excels in this claustrophobic crime drama from first-time director Jeanette Nordahl.
Matt Damon fights for his daughter’s freedom in Tom McCarthy’s turgid drama based on the murder of Meredith Kercher.
By Matt Turner
Brazilian filmmaker Maya Da-Rin’s allegorical mystery-thriller expertly melds tradition with modernity.
A family’s dream vacation turns into a nightmare when they start to age rapidly in M Night Shyamalan’s latest twisty thriller.
Ben Wheatley goes back to basics in this understated yet supremely effective 21st century folk horror.
By Anton Bitel
George A Romero’s long-lost public service announcement captures the inherent horrors of old age.
Bella Thorne goes on the warpath in first-time director Chad Faust’s lacklustre revenge thriller.
The third instalment in the horror franchise gives us a lot of Ed and Lorraine Warren, but not nearly enough Satan.
Angelina Jolie is pitted against the forces of nature in this damp squib of a thriller from writer/director Taylor Sheridan.
Kevin Macdonald’s based-on-a-true-story Guantanamo Bay drama too often loses its dramatic footing.
A ferocious lead turn by Carey Mulligan super-charges this shocking, outspoken debut that pulls none of its punches.
By Erik Nielsen
Denzel Washington and Rami Malek play LA cops battling their demons while trying to catch a killer.
A headless woman sparks a search for a mythical creature in Alejandro Fadel’s taut mountainside thriller.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
