This triumphant sequel to 2008’s ABBA musical is the most purely enjoyable big screen experience of the summer.
This reveal-all documentary about the late pop icon Whitney Huston from director Kevin Macdonald makes for compelling viewing.
John Cameron Mitchell returns to the director’s chair with a tale of teenage intergalactic romance.
Robin Campillo’s stirring AIDS activist drama is a vital reminder of the power of protest.
This Cannes-winning working class musical from Portugal’s Pedro Pinho is not all it seems.
Old Slowhand receives the big life documentary treatment, with slightly uninspiring results.
Hugh Jackman brings boundless energy and enthusiasm to this crowd-pleasing circus musical.
The final film in Kay Cannon’s trilogy about a group of singing friends is more awk-apella than a cappella.
Sophie Fiennes offers a satisfyingly original portrait of the iconic singer, artist and occasional actor.
Filmmaker Alex Barrett delivers a gorgeous, poetic ode to this bustling and diverse city.
By Bojana Duric
Debut director Mark Gill offers an unofficial look at the formative years of Smiths frontman Morrissey.
By Thomas Hobbs
This lamentable tribute to Tupac Shakur is an exercise in how not to make a music biopic.
A key ingredient is missing from this tribute to the Fab Four’s seminal pop-rock LP: the music.
By Eve Watling
This doc about bile-spilling anarcho-rockers Sleaford Mods is also an encapsulation of working class malaise.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
