Regina Hall stars as a college professor beset by malevolent forces in Mariama Diallo’s misjudged debut feature.
Ruth Paxton’s debut feature conveys the anxieties and misconceptions surrounding disordered eating through psychological horror.
Romola Garai’s feature directorial debut is a haunting feminist revenge horror that upturns genre tropes and flouts convention.
By Anton Bitel
This stylishly directed “requel” trickily rakes over the grave of the original Scream films, but please, no more!
By Sam Bodrojan
All hail the new flesh in Julia Ducournau’s dreamlike fable of a fractured young dancer grappling with the fire inside her.
Noomi Rapace adopts a strange newborn in this elevated Icelandic folk horror from director Valdimar Jóhannsson.
This time-travelling neo-giallo from Edgar Wright contains a few stunning sequences, but flubs the final act.
By Anton Bitel
A horned entity stalks Keri Russell’s school teacher in director Scott Cooper’s allegorical American horror story.
Michael Myers runs amok once more in director David Gordon Green’s strangely lacklustre slasher sequel.
By Leila Latif
Nia DaCosta re-examines the white saviour and Black boogeyman tropes in her bold horror reimagining.
A film censor goes in search of her missing sister in Prano Bailey-Bond’s razor-sharp, retro-styled horror satire.
David Bruckner’s architectural horror stands up to the contemporary challenges of dabbling with ghosts and jump scares.
Writer/director Chris Baugh’s vampire comedy-horror fails to breathe new life into a stale genre.
By Anton Bitel
A backwater preacher pushes his small congregation to its limits in this quasi-mystical Colombian parable.
Netflix’s time-skipping horror trilogy reaches a satisfying conclusion via a 17th-century Sarah Fier origin story.
The second part of Netflix’s RL Stine-inspired horror trilogy is a serious upgrade on its muddled predecessor.
A lacklustre opening to this new trilogy of teen slasher yarns based on the books by RL Stine.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
