Ansel Elgort and newcomer Rachel Zegler lead the director’s delayed remake of the hot-blooded musical.
Our resident cartoonist preview’s this year’s star-studded (and Covid-safe) ceremony.
The “three-year” series will dramatise the little-adapted ‘Apocrypha’, the excised sections of the Bible.
By David Robb
The director’s 1981 body horror feels increasingly relevant in our age of technological dependency.
LeSean Thomas’ six-part animated series is an electrifying vision of a long-ignored legend.
The Sparks-scored film, starring Adam Driver and Marion Cotillard, will premiere at Cannes in July.
Céline Sciamma’s LGBTQ+ themed second feature found itself at the centre of a political storm in France.
In the director’s ambitious Amazon miniseries, the network for escaped slaves takes on a more literal form.
Julianne Moore, Charlotte Gainsbourg, and Indya Moore appear in the nine-minute experiment.
By Anton Bitel
Jordan Downey’s fantasy revenge horror The Head Hunter pays homage to Sami Raimi’s Evil Dead series.
Dave Batuista leads the crack squad of criminals boosting Las Vegas amidst waves of the undead.
Director Peter Murimi discusses capturing the experience of a young gay man in I Am Samuel.
By Anton Bitel
Based on real events, Sergio Martino’s Silent Action from 1975 is as cynical as it is uncompromising.
By Silva Chege
Criticism of Daniel Kaluuya’s role in Judas and the Black Messiah only serves to divide the diaspora.
In Agnieszka Smoczyńska’s latest, Letitia Wright and Tamara Lawrance play sisters with an unusual bond.
A short time ago in a galaxy not so far away...
She ventures into the wilds of Montana for writer/director Taylor Sheridan’s latest neo-western.
By Daisy Bata
Our investigation into the government’s Culture Recovery Fund has found evidence of automated cultural elitism.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
