By Xuanlin Tham
Celebrating its 30th anniversary, Tsui Hark's take on a Chinese folktale is a breathtaking allegory for our inhospitable world.
By Nora Murphy
Emma Seligman's Bottoms promises a queer female fight club – how does it perform in the canon of films about women carving out space for themselves in hyper-masculine worlds?
By Meg Walters
With more and more women taking an active role in film production, depictions of young women are changing. What can they tell us about the modern world?
With our galactic neighbours in the news as of late, it's a good time to look back at half a century of cinema about the potential for inter-planetary friendships (or not).
An excellent crop of debut films in the past couple of years all explore painful childhoods. What does this say about the interests of the British film industry?
Two decades after its release, Guy Maddin's eccentric Prohibition era satire speaks to a contemporary obsession with corporatising pain.
From La La Land to Past Lives, filmmakers are still drawing inspiration from the vivid emotional worlds of Jacques Demy. What is it about his films that continues to inspire directors?
A new season organised by the BFI in partnership with Thelma Schoonmaker brings many classic Powell & Pressburger films – including new restorations – to the big screen once more.
By Paul Risker
Across seven decades, Martin Scorsese has been constructing his own vision of the United States' bloodstained mythology.
Nathan Fielder and Emma Stone star as an unscrupulous property developing couple who find themselves cursed by a small child in this A24 and Showtime collaboration.
By Anton Bitel
Cannibals, ghosts, demons and housewives are on the schedule for this special spooky season round-up of all the latest in Blu-Ray and DVD releases.
For the last decade, a small group of video editors have spent hours toiling over concept trailers, delighting and duping fans eager to catch a sneak peek of an upcoming film.
More than three decades after it was made, this landmark work defies classification – a portrait of young people caught between warring countries, attempting to have a typical childhood.
Two decades on, Michael Bay's nihilistic, hyper-violent police drama serves as a state of the union address.
By Greg Cwik
Fifty years since William Friedkin unleashed a demon at the multiplex, the impressive performances of Max von Sydow and Jason Miller are as haunting as ever.
By Raine Petrie
As an anniversary restoration of Jonathan Demme and Talking Heads' landmark concert film hits cinemas, it remains a landmark in autistic representation on screen.
By Esmé Holden
If sex scenes, or any other type of scene, don’t need to serve the plot, do they need to serve anything at all?
Sophie Monks Kaufman continues her deep dive into the neurodivergent coding of Wes Anderson's cinema in this far-reaching long read.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
