By Mila Fielker
A dystopian retro-future of telepathic mutants, gladiators and fascists – does Joe D’Amato’s vision of 2025 show any resemblance to our current reality?
The unofficial, often open matte scans of these films preserve a tactile history of cinema in its imperfect totality.
The visual album is a key, genre-defying vessel for pop music titans transferring the symbolic power of their music to image-making.
By Esmé Holden
If sex scenes, or any other type of scene, don’t need to serve the plot, do they need to serve anything at all?
By Sarah Cleary
Metal is often given short shrift at the movies, but a handful of great auteurs have used the genre and its subculture to brilliant effect.
Recent entries to the subgenre of found footage horror attest to its appeal to queer filmmakers and audiences alike.
A film critic traces the connections between philosopher Ludwig Wittgenstein’s escapist eccentricities and her own formative experiences as a cinephile.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
