Adam Driver and Greta Gerwig reunite as a couple grappling with their fear of death in Noah Baumbach’s adaptation of Don DeLillo’s novel.
A humongous creative undertaking and a simple love of dogs combine for the most staggering achievement of Wes Anderson’s career.
Annette Bening anchors this delightful, deeply personal comedy-drama from writer/director Mike Mills
By Elena Lazic
Greta Gerwig provides the spark in American nihilist Todd Solondz’s unofficial sequel to Welcome to the Dollhouse.
Greta Gerwig has the time of her life in Rebecca Miller’s shallow portrait of middle-class ennui.
Hold on to your hats… Noah Baumbach and Greta Gerwig return with a brisk Brooklyn neo-screwball.
By Anton Bitel
Ahoy sexy! In which the great Greta Grewig stakes a convincing claim to the thrown of most loveable living screen actress.
Mumblecore empress Greta Gerwig dazzles in Whit Stillman’s first film in 13 years.
With its wispy idiosyncrasy and sharp, biting humour, Greenberg may well win over the Baumbach cynics.
By Tom Seymour
Ti West’s period chiller is a modern horror film that feels at once nostalgically hackneyed and invigoratingly fresh.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
