By Tom Seymour
Paulo Sorrentino and Sean Penn unite for a dark road movie handled with lightness and ease.
By Tom Seymour
British cinema isn’t good at being cool, but Submarine has bucked that trend; defiantly so.
By Tom Seymour
The Isles of Scilly provide the dramatic, windswept backdrop for Joanna Hogg’s soulful familial drama.
By Tom Seymour
The screen may glow in Joseph Kosinski’s sci-fi spectacle, but the soul lies cold.
By Tom Seymour
In the truth it finds, Catfish is a sad and troubling film that avoids cynicism.
By Tom Seymour
Why are Tinseltown’s depictions of this atrocity so often reduced to little more than failing memories?
By Tom Seymour
A big-budget 3D remake of a classic and popular spectacle film starring the guy from Avatar.
By Tom Seymour
Ti West’s period chiller is a modern horror film that feels at once nostalgically hackneyed and invigoratingly fresh.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
