Jessica Chastain and Ralph Fiennes spend a fateful weekend in Morocco in John Michael McDonagh’s scabrous class satire.
Jessica Chastain goes all-out in Michael Showalter’s superficial biopic of televangelist Tammy Faye Messner.
Saul Williams and Anisia Uzeyman ponder post-colonisation in this percussive, transcendental Afrofuturist musical.
A middle-aged man tends to a young girl with ice dentures in Lucile Hadžihalilović’s elliptical English-language debut.
By Erin Brady
Rob Savage’s follow-up to Host is a terrifying yet frustrating experience about social media narcissism.
By Corey Atad
Ben Platt stars as a high-schooler whose white lie snowballs out of control in Stephen Chbosky’s dismal adaptation of the smash-hit musical.
This year’s Short Cuts programme brought together bite-size perspectives from around the world.
The multi-hyphenate has created a hypnotic, incisive score for Charles Officer’s socially-conscious crime-noir.
Ben Sharrock spins absurd comedy from torment suffered by those waiting for asylum to be granted.
Vanessa Kirby is remarkable in Kornél Mundruczó’s drama about two expectant parents who suffer a devastating tragedy.
The animation studio behind Song of the Sea and The Secret of Kells return with a spellbinding revisionist fable.
The third feature from Chloé Zhao is an achingly tender look at one woman's life on the road.
Steve Coogan plays an odious fast fashion magnate in Michael Winterbottom's latest comedy.
Justin Kurzel adapts Peter Carey's 2000 fictionalised account of Austalia's infamous Kelly gang, with explosive results.
A returning astronaut falls out of touch with reality in Noah Hawley's messy space drama.
By Katie Goh
Cynthia Erivo is superb in this otherwise sketchy and underpowered biopic of rebel slave, Harriet Tubman.
Christian Bale and Matt Damon banter and bicker their way through James Mangold's slick racing biopic.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
