Posts by Erin Brady

Dashcam

By Erin Brady

Lo-fi genre maestro Rob Savage returns with a truly repellant new variety of horror Scream Queen.

review

Bodies Bodies Bodies – first-look review

By Erin Brady

A killer cast slashes through a disastrous hurricane party in a raunchy and fun romp meant for a theatre.

Soft & Quiet – first-look review

By Erin Brady

Beth de Araújo takes viewers into a white supremacist nightmare in her terrifying yet staggering directorial debut.

The best international genre films at the 2021 Toronto International Film Festival

By Erin Brady

Mercenaries and demonic encounters featured in some of the most interesting films that played at this year’s TIFF.

The Mad Woman’s Ball – first-look review

By Erin Brady

A woman who sees spirits is committed to a psychiatric hospital in this book adaptation by Mélanie Laurent.

Dashcam – first-look review

By Erin Brady

Rob Savage’s follow-up to Host is a terrifying yet frustrating experience about social media narcissism.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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