By Anton Bitel
José Ramón Larraz’s slasher swansong, Deadly Manor, features some playfully misdirection and an insane ending.
By Anton Bitel
José Ramón Larraz’s Edge of the Axe buries several over-used tropes of the genre.
By Anton Bitel
The visionary Italian director’s 1981 film The Beyond remains one of his most unnerving, transgressive works.
By Paul Ridd
Top 2019 home entertainment releases for the strong stomached and morally depraved.
By Anton Bitel
A sense of creative conflict infuses William Peter Blatty’s spiritual follow-up to William Friedkin’s 1973 classic.
By Anton Bitel
The 1980 coming-of-ager Spetters is one of the Dutch master’s most uncompromising and controversial works.
By Anton Bitel
Irvin Berwick’s cult 1983 film Hitch Hike to Hell is an American nightmare writ large.
Fifteen of the iconic kaiju’s adventures have been compiled in a long-overdue commemorative boxset.
By Anton Bitel
Paul Wegener’s nightmarish take on the Golem of Jewish folklore introduced German Expressionism to the world.
By Adam Scovell
With The Young Girls of Rochefort, the French director created something wondrously original.
By Anton Bitel
Romance, tragedy and horror combine to potent effect in director John Landis’ iconic 1981 feature.
By Adam Scovell
Robert Fuest’s And Soon the Darkness foreshadows both The Wicker Man and The Texas Chain Saw Massacre.
By Anton Bitel
Stanley H Brassloff’s Toys Are Not for Children centres on a doll-like heroine with severe daddy issues.
By Anton Bitel
The Italian horror maestro’s 1971 film A Bay of Blood remains one of his most shocking works.
By Anton Bitel
A new Blu-ray of this 1984 cheapjack sequel shows there's more value to it than meets the eye.
By Anton Bitel
William Friedkin’s 1980 thriller casts an unwavering eye over New York’s gay S&M subculture.
By Anton Bitel
Both film are now available as part of a special collector’s edition box set.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
