A young girl with ice cubes for teeth comes of age in strange ways in Lucile Hadžihalilović’s disturbing and elliptical latest.
By Matt Turner
A fine and necessary portmanteau of British documentaries all made by lesser-known women filmmakers.
By Erin Brady
Lo-fi genre maestro Rob Savage returns with a truly repellant new variety of horror Scream Queen.
Mia Hansen-Løve’s lilting rumination on art, relationships and cinephilia is one of her most accomplished and moving films to date.
Baz Luhrmann’s sweaty, opulent take on the King of rock ’n’ roll is not a biopic but a fairy tale.
By Lucy Vipond
A Maltese fisherman grapples with modernity in director Alex Camilleri’s sobering second feature.
The Belcher family discover a sink hole, try to solve a murder and take their burger shop on the road in the feature-length version of their hit animated show.
Norway’s favourite synth-pop sons receive the full music biography treatment in this intimate documentary.
Three college students eager to party end up in a fraught situation in director Carey Williams’ comedy-thriller.
Tom Cruise smashes the sound barrier once again in this thrilling belated sequel to the beloved ’80s classic.
Terence Davies explores the tragic and complex life of World War I poet Siegfried Sassoon in this elegantly moving biopic.
Leah Purcell writes, directs and stars in this violent psychological western about a Bushwoman defending her lonesome patch.
An elderly Parisian couple struggle with the trials of ageing in Gaspar Noé’s miserable but intriguing new film.
A skeptical amateur wrestler finds religion in writer/director Rosalind Ross’ uninspired biopic.
A young girl’s difficult home life takes a turn for the better in Colm Bairéad’s impressive debut feature.
A woman reeling from a personal tragedy embarks on the holiday from hell in Alex Garland’s very British folk horror film.
By Weiting Liu
A Chinese-American family’s lives are changed forever across multiple universes in Daniels’ ambitious second feature.
Director Sam Raimi injects some much needed personality into Marvel’s latest brand-building exercise.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
