By Jake Cunningham
The ubiquitous font features prominently in the provocative arthouse filmmaker’s work, including his latest, Climax.
It’s not just the words themselves that make Mildred Hayes’ message so impactful, but how they’re written.
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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.