George MacKay plays a graffiti artist who uncovers a dark secret in Babak Anvari's effective – but distractingly ugly – new thriller.
By Carol Grant
A group of teenagers at a gay conversion camp face off against a sinister threat in John Logan's misjudged would-be slasher.
A lean monster-slasher B-movie set in the Predator universe that’s a highlight of an extremely patchy franchise.
An unlucky assassin finds himself on the commute from hell in director David Leitch’s irritating action-thriller.
Director Justin Kurzel renews his obsession with mass murder in this well-acted but problematic retelling of the Port Arthur massacre.
Leah Purcell writes, directs and stars in this violent psychological western about a Bushwoman defending her lonesome patch.
Robert Eggers assembles an intrepid team for the epic tale of a wronged Viking prince’s quest for vengeance.
This nifty debut feature from sound designer and rowing enthusiast Lauren Hadaway charts the struggles of achieving success.
Jared Leto plays a terminally-ill scientist who accidentally turns himself into a vampire in this shockingly inept superhero saga.
Ryoo Seung-Wan’s action-thriller sees North and South Korean diplomats cooperate in order to escape the onset of the Somalian Civil War.
Regina Hall stars as a college professor beset by malevolent forces in Mariama Diallo’s misjudged debut feature.
By Elena Lazic
Ana de Armas and Ben Affleck play spouses engrossed in a twisted game of cat and mouse in director Adrian Lyne’s long-awaited return.
A young Iraqi refugee seeks refuge in Bulgaria in writer/director Haider Rashid’s heart-stopping drama.
By Anton Bitel
This stylishly directed “requel” trickily rakes over the grave of the original Scream films, but please, no more!
Jessica Chastain’s passion project is a questionable espionage thriller that flaunts its international cast of A-Listers.
Netflix rings in the new year with an austere World War Two espionage thriller from director Christian Schwochow.
Asghar Farhadi’s exceptional Iran-centred drama is a soulful reflection on the morality of crime.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
