By Jason Wood
This sensational debut from Sean Durkin sees Elizabeth Olsen become seduced by a dangerous cult.
By Ashley Clark
While the characterisation is thin and delivered in broad strokes, by the time havoc breaks loose it’s unlikely you’ll care too much.
Duncan Jones has hit the ground running, but there’s no need for Nolan to watch his back just yet.
By Clemmy Manzo
Hardboiled thrills abound in this classy period noir from Argentine director Juan José Campanella.
Martin Scorsese’s latest is little more than a frustrating cobwebbed box of tricks and twists.
A big-screen version of Alan Moore’s seminal graphic novel has finally arrived, but was it worth the wait?
Steven Soderbergh’s monochrome mystery has a winning, slightly oddball charm, and Cate Blanchett is brilliant.
By Kevin Maher
Daniel Auteuil and Juliette Binoche are terrorised by mysterious surveillance tapes in Michael Haneke’s gripping drama.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
