By Jake Cole
Scott Lang and his pint-sized family of heroes face off against Kang the Conquerer in this latest uninspiring Marvel outing.
Gerard Butler plays a pilot whose plane goes down in a conflict zone in Jean-François Richet's surprisingly satisfying thriller.
A gaudy blue folly which encapsulates James Cameron’s strength as an image-maker, but weakness as a storyteller.
Will Smith brings stern dramatic heft to an enslaved man making a dash for freedom in Antoine Fuqua’s tonally mish-mashed action drama.
This retro-inspired Disney adventure yarn boasts lots of great, progressive ideas, but lacks in the imagination department.
Writer/director Ryan Coogler expands his colonialist critique in this epic MCU sequel which also pays moving tribute to the late Chadwick Boseman.
Squid Game star Lee Jung-jae stars in his directorial debut, a high-voltage espionage thriller set in 1980s South Korea.
By Rógan Graham
Gina Prince-Bythewood delivers her masterpiece in this quietly radical action epic with a stunning lead turn from Viola Davis.
By Jamison Kent
Antonia Campbell-Hughes’ compelling feature debut offers a moody account of hometown Stockholm syndrome and repressed emotion.
A lean monster-slasher B-movie set in the Predator universe that’s a highlight of an extremely patchy franchise.
An unlucky assassin finds himself on the commute from hell in director David Leitch’s irritating action-thriller.
A CIA assassin and a psychopath play a game of intercontinental cat and mouse in this poorly-executed action-thriller.
Taika Waititi returns to the MCU five years after Thor: Ragnarok with a disappointing sequel sorely lacking in charm and imagination.
By Leila Latif
The return of some familiar faces can’t save this dire dino flick from feeling like a cynical cash grab.
Tom Cruise smashes the sound barrier once again in this thrilling belated sequel to the beloved ’80s classic.
Director Sam Raimi injects some much needed personality into Marvel’s latest brand-building exercise.
Nicolas Cage plays an out-of-work version of himself in Tom Gormican’s well-meaning but underwhelming meta action-comedy.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
