By Maia Wyman
While Jonathan Glazer and Christopher Nolan's World War Two-set films have been critically lauded, their construction raises questions about how we digest images of systematic murder.
Jonathan Glazer's stark film about the domestic routine of the Höss family next door to Auschwitz is a colossal, profoundly disturbing achievement in filmmaking.
The psychological courtroom thriller with the great Sandra Hüller wins the top prize at the Cannes Film Festival.
Jonathan Glazer returns with his first film in nine years – an austere, chilling depiction of a German family maintaining normalcy in close proximity to the Holocaust.
Martin Scorsese, Wes Anderson, and Pedro Almodóvar number among the heavy hitters expected on the red carpet.
A.I., American Psycho and Bamboozled all make the final part of our list – but what will come out on top?
Jonathan Glazer riffs on the so-called “dancing plague” which struck the French border city 500 years ago. The result is spectacular.
Strasbourg 1518 pairs the Under the Skin director and composer with an ensemble of world-class dancers.
A bidding war could bring Scarlett Johansson’s homicidal alien to the small screen.
Masked figures perform a ritual most sinister in the six-minute miniature.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
