Benoit Blanc enters the canon of iconic movie characters with Rian Johnson’s second foray into whodunit (nu-dunit?) territory.
Sebastián Lelio’s 19th-century drama dwells in the gothic-bucolic as a nurse watches over a girl who has survived months without food.
Squid Game star Lee Jung-jae stars in his directorial debut, a high-voltage espionage thriller set in 1980s South Korea.
The South Korean auteur known for squid-chomping, luxe erotica and graphic torture is back with a seductive mystery thriller.
An all-star cast can't save this predictable, often irritating attempt at putting a twist on Agatha Christie's The Mousetrap.
A cautionary tale about environmental exploitation veers into predictability in Lee Haven Jones' slow-burn directorial debut.
By Anton Bitel
A couple pay a visit to an ex-partner and her family in Sebastian Godwin’s effective domestic horror.
Robert Pattinson’s grunge prince vows to wash the scum off Gotham’s streets in Matt Reeves’ noirish detective thriller.
Kenneth Branagh directs and stars in a second Agatha Christie adaptation, but we’d rather he hadn’t.
Romola Garai’s feature directorial debut is a haunting feminist revenge horror that upturns genre tropes and flouts convention.
By Anton Bitel
This stylishly directed “requel” trickily rakes over the grave of the original Scream films, but please, no more!
Noomi Rapace adopts a strange newborn in this elevated Icelandic folk horror from director Valdimar Jóhannsson.
By Anton Bitel
A horned entity stalks Keri Russell’s school teacher in director Scott Cooper’s allegorical American horror story.
A film censor goes in search of her missing sister in Prano Bailey-Bond’s razor-sharp, retro-styled horror satire.
By Matt Turner
Brazilian filmmaker Maya Da-Rin’s allegorical mystery-thriller expertly melds tradition with modernity.
The third instalment in the horror franchise gives us a lot of Ed and Lorraine Warren, but not nearly enough Satan.
This procedural thriller reboot of the Saw franchise is painful to sit through for all the wrong reasons.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
