A dream auditor becomes caught up with an ageing eccentric in Kentucker Audley and Albert Birney's highly imaginative feature.
Taika Waititi returns to the MCU five years after Thor: Ragnarok with a disappointing sequel sorely lacking in charm and imagination.
The Minions scarcely feature in this screwball supervillain origin story that’s shamefully short on lols.
By Leila Latif
The return of some familiar faces can’t save this dire dino flick from feeling like a cynical cash grab.
Director Sam Raimi injects some much needed personality into Marvel’s latest brand-building exercise.
Robert Eggers assembles an intrepid team for the epic tale of a wronged Viking prince’s quest for vengeance.
Arthur Harari charts the remarkable story of Japanese soldier Hiroo Onoda, who refused to surrender at the end of World War Two.
Jared Leto plays a terminally-ill scientist who accidentally turns himself into a vampire in this shockingly inept superhero saga.
Dashed-off sequel to the 2020 hit which makes the Chipmunks films look like Tarkovsky by comparison.
A tale as old as time gets a cyberspace makeover in Mamoru Hosoda’s reimagining of Beauty and the Beast.
Tom Holland’s third solo Spidey outing brings some familiar faces to the party, but we’ve seen it all before.
Jason Reitman takes on the mantle of his Ghostbusting father Ivan with this emotionally manipulative nostalgia trip.
Chloé Zhao remixes the Marvel Cinematic Universe template with this ethereal take on the classic superhero saga.
Timothée Chalamet excels as space prince Paul Atreides in Denis Villeneuve’s spectacular widescreen epic.
Tom Hardy returns as the reporter with an extraterrestrial monkey on his back in Andy Serkis’ zany comic book sequel.
Daniel Craig’s last dance as a Double-O agent brings the present chapter of the long-standing spy saga to a sentimental close.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
