A few top picks from the big and brassy return of the Dutch mainstay, its first in-person gathering in three years.
Nicole Holofcener reteams with Julia Louis-Dreyfus for a gentle comedy about a writer who discovers her husband doesn't like her work.
A recently bereaved 12-year-old girl is forced to reconnect with her absent father in Charlotte Regan's charming feature debut.
Cory Finley returns with an eccentric sci-fi dramedy about a pair of teenagers who scheme to livestream their relationship for a curious extra-terrestrial audience.
Thomasin McKenzie plays a repressed prison worker who becomes infatuated with a female colleague in William Oldroyd's take on Ottessa Moshfegh's novel.
Alden Ehrenreich and Phoebe Dynevor play a young couple clawing their way up the corporate ladder in Chloe Domont's dour thriller.
Jonathan Majors delivers a blistering performance as an amateur bodybuilder on the brink in Elijah Bynum's aching but underwritten drama.
Adura Onashile's debut Girl will open the fest, and Nida Manzoor's Polite Society will close it out.
Based on Kristen Roupenian's much-lauded 2017 short story, this twisted tale of gender politics is a major letdown in conception and execution.
Alexander Skarsgård has a pretty bad trip in this vacation nightmare from body horror wunderkind Brandon Cronenberg.
Ira Sachs returns with an intimate, intense three-hander about a Fassbinder-like film director played by the great Franz Rogowski.
President Kristen Stewart will also pass judgement on films by Matt Johnson and Angela Schanelec.
A thriving local queer scene has been steadily emerging in the city of Nicosia thanks to the programmers of Queer Wave and Sessions.
This year's festival celebrated the rich Indian cinema being made outside of popular Bollywood.
By Emma Curzon
A well-curated selection of genres and themes made for a diverse and fascinating programme at this year's festival.
At the revamped Tokyo International Film Festival, the spotlight shone brightly on upcoming Japanese artistic voices.
A trio of dramas explain the relationship between fathers and children put an emphasis on parental personhood at this year's London Film Festival.
By Jojo Ajisafe
The cutthroat world of hairdressing is the setting for this sparky murder mystery – a debut for Thomas Hardiman.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
