By Paul Risker
Across seven decades, Martin Scorsese has been constructing his own vision of the United States' bloodstained mythology.
Nathan Fielder and Emma Stone star as an unscrupulous property developing couple who find themselves cursed by a small child in this A24 and Showtime collaboration.
By Anton Bitel
Cannibals, ghosts, demons and housewives are on the schedule for this special spooky season round-up of all the latest in Blu-Ray and DVD releases.
By Simon Bland
The Drive director reflects on smuggling Bronson’s actual moustache out of prison and the personal story behind his ethereal biopic of the UK’s most notorious inmate.
Ahead of the BFI's landmark Powell & Pressburger retrospective, the legendary film editor speaks about her relationship with Michael Powell, the process of restoring film, and how Powell & Pressburger influenced Killers of the Flower Moon.
The famed photographer turns his hand at filmmaking with a study of extreme trauma and slow healing in The After.
For the last decade, a small group of video editors have spent hours toiling over concept trailers, delighting and duping fans eager to catch a sneak peek of an upcoming film.
By Soma Ghosh
Sav Rodgers weaves personal and pop culture history together as he unpacks the legacy of Kevin Smith's 1997 romantic comedy.
More than three decades after it was made, this landmark work defies classification – a portrait of young people caught between warring countries, attempting to have a typical childhood.
Annie Baker's debut feature about a mother and daughter is magical and assured drama that announces the Pulitzer Prize winner as a filmmaking talent as well as a literary one.
Veteran filmmaker Agnieszka Holland offers a stirring, stark depiction of the refugee situation in Europe, as Syrians fleeing war face harrowing interrogation at the Polish-Belarusian border.
Two decades on, Michael Bay's nihilistic, hyper-violent police drama serves as a state of the union address.
Imogen Poots shines in this angular, fragmented portrait of English rose-turned-firebrand activist Rose Dugdale from Irish filmmakers Joe Lawlor and Christine Molloy.
Raven Jackson's feature debut announces a striking visual talent, following the story of a young woman's life in rural Mississippi.
This fascinating and melancholy documentary sees an Iranian exile in London looking back to the stranger-than-fiction roots of his formative cinephelia.
By Simon Bland
The writer, director and co-star of BlackBerry – an irreverent take on the rise and fall of a tech giant – reflects on his third feature while making his way across Toronto.
By Greg Cwik
Fifty years since William Friedkin unleashed a demon at the multiplex, the impressive performances of Max von Sydow and Jason Miller are as haunting as ever.
By Raine Petrie
As an anniversary restoration of Jonathan Demme and Talking Heads' landmark concert film hits cinemas, it remains a landmark in autistic representation on screen.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
